Last night my friend Ewan invited me to join him and his son at
Zvizdal, a multi-media performance about a village in the “exclusion zone” around the Chernobyl power plant in Ukraine. Or more specifically, it’s about the one remaining couple in the village, who are in their 80’s.
The story starts in a surprisingly humorous tone. The screen is blank, except for the English and Czech subtitles translating the Ukrainian conversation—as one of the filmmakers goes from office to office trying to get a permit to enter the exclusion zone. She’s told to go down the hall, 2nd door on the left, then you hear her walking and the screen says, “Down the hall”; a door opens, and the screen says, “2nd door on the left.”
In addition to the runaround of everyone telling her to go somewhere different, there’s one official who admits he doesn’t know whether the permit she’s looking for is within their work or not.
Someone else explains, “There’s nothing there. Well, there is that one couple, but the only way to talk to them is in person. There’s no phone.”
But obviously she eventually gets some sort of permission to proceed, and we are now looking out through a dash-cam as a guard opens a gate and we proceed into the exclusion zone.
After the explosion and fire at the Chernobyl reactor in 1986, the Soviet government created two exclusion zones. The zone have a few old people living in them, people who felt out of place after being evacuated to Kiev or other cities, and so preferred to return. If they were old enough, they were allowed back in, or they snuck in.
The outer zone is where the buses bring the folks out for some disaster tourism, as
I experienced with my colleague Amy Forster Rothbart and our students in January, 2013. (Amy's husband Mike Forster Rothbart is a photographer who's done
extensive work in the zone.)
On the standard tour you look at exhibits in the museum, see the firemen's memorial, and visit a former nursery school with dust lying thick on the beds and on the children’s books scattered across the floor (and a beer bottle placed on top of a bank of children’s cubbies, with a label showing it couldn’t have been there more than a year).
The inner zone has the plant itself, where you come within 400 meters of the “sarcophagus” that was built over the destroyed reactor, to prevent any further release of radiation. There’s the plant, and the workers there who maintain it, and the workers’ canteen (where the tourists also have lunch), and the former city of Pripyat, home in 1986 to 50,000 plant workers and their families, abandoned today and unknown to most of the world except for those who play
Call of Duty.
Mike explains that there are actually a small but significant number of people still living in the zone, as described
here. But the impression I got from last night's movie was that there was pretty much nothing there.
Except for one old couple on a farmstead in what was the village of Zvizdal.